The Future of Photo Editing Software Is Here From KODAK
Episode #224 of the TOGCHAT Photography Podcast
Table of Contents
The Future of Photo Editing Software is Here!
⇣ Click to read the TOGTOPIC
As photographers, we reward manufacturers for making gear or software that makes our photographs better and makes our jobs easier. So part of making our job easier is to make it faster or save us time. So about four years ago on one of my very first TOGCHATS, I was asked about how I thought current cameras and software would evolve my prediction, which I have repeated in numerous talks and demonstrations and events across the country.
Honestly, it kind of freaked out a lot of people, that my prediction was that digital cameras would become video-centric, meaning video first stills second.
I get it, that statement alone is like fighting words to some people. So let me explain. I don’t mean that still photography will go away. In fact, I don’t believe that the still image will ever go away. That is simply because of science. It’s simply because a still image can record a moment and show us things that allows us to see things that our brains are not capable of seeing in a moving video image.
I do however, believe that in an effort to make photographs better and especially to save us time, that we will reach a point where instead of taking a single image, we will automatically record a second or several seconds of video at a time.
Let’s say we’re shooting a portrait. In an effort to get the perfect expression. You might select a two-second sequence. This is not shutter speed. This would be a brand-new setting. It could be one second, two seconds, four seconds, each time you press the shutter.
Let’s say you picked two seconds, the camera will record two seconds of images. If we use one of the current standards of 30 frames per second, that would give you 60 frames. Now I know most of you are thinking “I don’t want to cull through 60 frames every time I press the shutter.” That would be ridiculous. Unless, we have software that can do it for us and do it quickly.
Imagine if you will, that we had software that maybe looks like Adobe Bridge or Adobe Lightroom that would give you a panel where you would check off things like, what is this subject? It may have choices like landscape or animal or people or cars or buildings, and so on. For a portrait, we would check off people, then check off portrait, then head and shoulders, then male or female, then happier or serious, then smile or then soft smile or big smile. And then we would check off eyes open or closed. Then we could check off looking towards the camera or looking away from the camera. These selections that I’m talking about. These are filters, search filters.
The software is using artificial intelligence to eliminate the images that don’t fit our requirements. So those 60 frames can be narrowed down to two or three in literally just a few seconds. Even as recently as this past February, before Covid-19 took over, when I was at WPPI, I had someone tell me that that sounded like something out of a sci-fi movie.
Google already has culling capabilities built into some of its phones, but you see, for years now, we’ve actually had cameras with smile detection or the ability to wait until both of your subject’s eyes were open before firing the shutter. Those aren’t mechanical features, they are software.
So it stands to reason that eventually someone starts to put all of these features together, not in a camera, but in a piece of software that we could use, just like we use Lightroom or Adobe Bridge as part of our regular processing workflow after that happens. And of course let’s face it after that software is refined, it will make more sense at that point for camera manufacturers.
To switch to a video centric design, and we will then pull our still images from short video clips. And that way even less skilled photographers will be capable of capturing meaningful and fleeting decisive moments with confidence and consistency. Now, the first step in that evolution it’s finally happened.
Before I tell you about this, I can already feel, I can feel, I can feel some of you grumbling about change, chill out. Nothing is really gonna change yet, but it’s gonna, so don’t be a dinosaur. You all know how well that worked out, right? So this new software is called Kodak, professional select.
I’ll tell you straight up that I don’t feel that it’s ready for prime time. It is the first release first to market, the first pass at using artificial intelligence to do your image culling. It’s exciting because it’s a major advancement, but like all technology. It will continue to get better and faster, more accurate, and more companies will enter the race.
Let’s face it. I’m sure that Adobe is knee-deep in this technology, especially given all the AI work that they’re doing with Adobe Sensei. So the Kodak Professional Select software runs on your computer, you drag and drop image folders, or just images into a desktop app.
The program runs on Windows and Mac, and the app transmits appropriately sized images for quick and efficient cloud processing. So yes, the AI happens in the cloud, on their servers. And no it’s not uploading full-res files. That would take forever. It generates smaller versions, but you’re still going to need some bandwidth for this as well.
Instead of me explaining all of it, let’s here is their explainer video.
From the Kodak Professional Select website:
Select accepts hundreds to thousands of images and applies our proprietary AI to evaluate each image on two major criteria:
Technical Attributes: color, focus, brightness, exposure, contrast, and sharpness
Aesthetic Qualities: eyes open, smiles, and faces centered
It takes all this data and automatically selects your best photos from across the entire event and showcases them in an easy-to-use interface. You retain total control to make the final selections. With Select’s AI, image culling is completed in minutes.
Try select for yourself by signing up for a 30-day free trial at Devin. There you have it. Now it’s also worth noting. It is pricey $300 per year, but let’s keep it real game, right? When the software evolves and improves. If you’re making your living as a photographer or even, you know, doing it on the side, part-time $300 per year will be more than worth it.
So to be clear, I’m not recommending that you go pay for it now. And by the way, I am not an ambassador. I am not getting paid to show this to you. I have not even downloaded the software and tried it yet because based on what they’re showing me, I don’t feel that it’s ready to sell my needs. They do have a free 30-day trial if you want to get a feel for it.
The reason why I’m not rushing and I’m even suggesting you don’t rush is simple. All of you who rush out and buy the latest and greatest of anything — you should maybe just make it a habit to take a step back and see where new technology is going and realize that in most cases, the latest and greatest is not going to improve your work or your life.
After a few generations, it certainly will, and then the kinks are worked out and the price is more affordable, subscribe to it. You should definitely pay attention to this and other newcomers that are going to come along. This is the future and I, for one, I think it’s going to be absolutely amazing!
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Kodak Professional Select Software: https://www.kproselect.com/
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